In 1987 Britain, Javed Khan is a British-Pakistani college arts student in Luton in a family with a domineering father. Depressed by his oppressive family life and feeling he has no future in a hostile community, a newfound friend introduces Javed to the music of Bruce Springsteen. Touched by the rock star’s powerfully eloquent affinity of his own feelings, Javed is inspired to reach out for his own dreams with his own talents. However, although Javed finds friends he never expected in this personal quest, he also finds himself butting heads with his newly unemployed father who stubbornly refuses to understand his son’s new aspirations. In this conflict of values in a troubled time, Javed must decide what is truly important to him while his family struggles to understand what has changed and what remains with a new generation feeling born to run.
Read More »

In 1987 Britain, Javed Khan is a British-Pakistani college arts student in Luton in a family with a domineering father. Depressed by his oppressive family life and feeling he has no future in a hostile community, a newfound friend introduces Javed to the music of Bruce Springsteen. Touched by the rock star’s powerfully eloquent affinity of his own feelings, Javed is inspired to reach out for his own dreams with his own talents. However, although Javed finds friends he never expected in this personal quest, he also finds himself butting heads with his newly unemployed father who stubbornly refuses to understand his son’s new aspirations. In this conflict of values in a troubled time, Javed must decide what is truly important to him while his family struggles to understand what has changed and what remains with a new generation feeling born to run.
Read More »

The story is inspired by a real-life fan who pursued Limp Bizkit’s frontman Fred Durst many years ago, and the screenplay was written by Durst and Dave Bekerman. It follows Moose (played by John Travolta), who gets cheated out of meeting his favorite action hero, Hunter Dunbar (played by Devon Sawa). Moose then hunts down Dunbar to get the celebrity interaction he feels he deserves. Harmless at first, Moose’s actions begin to take a dark turn. Against the advice of his friend Leah (Ana Golja), Moose begins to make frequent visits to his hero’s private home. As the visits continue to escalate, Dunbar finds himself in increasing danger.
Read More »

The story is inspired by a real-life fan who pursued Limp Bizkit’s frontman Fred Durst many years ago, and the screenplay was written by Durst and Dave Bekerman. It follows Moose (played by John Travolta), who gets cheated out of meeting his favorite action hero, Hunter Dunbar (played by Devon Sawa). Moose then hunts down Dunbar to get the celebrity interaction he feels he deserves. Harmless at first, Moose’s actions begin to take a dark turn. Against the advice of his friend Leah (Ana Golja), Moose begins to make frequent visits to his hero’s private home. As the visits continue to escalate, Dunbar finds himself in increasing danger.
Read More »

A couple’s holiday romance is thrown into chaos as they are afflicted by a malicious force.
Read More »

A couple’s holiday romance is thrown into chaos as they are afflicted by a malicious force.
Read More »

Katherine Newbury (Emma Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women,” she puts affirmative action on the to-do list, and –presto!–Molly (Mindy Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Wanting to prove she’s not merely a diversity hire who’s disrupting the comfort of the brotherhood, Molly is determined to help Katherine revitalize her show and career–and possibly effect even bigger change at the same time.
Read More »

Katherine Newbury (Emma Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women,” she puts affirmative action on the to-do list, and –presto!–Molly (Mindy Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Wanting to prove she’s not merely a diversity hire who’s disrupting the comfort of the brotherhood, Molly is determined to help Katherine revitalize her show and career–and possibly effect even bigger change at the same time.
Read More »